1
00:00:03,904 --> 00:00:06,170
HI. HI.

2
00:00:08,241 --> 00:00:10,675
HI. HI.

3
00:00:13,380 --> 00:00:16,448
BYE. BYE.

4
00:00:18,719 --> 00:00:22,654
BOY, THINGS ARE SURE TENSE
AROUND HERE SINCE JOHNNY LEFT. YEAH.

5
00:00:22,723 --> 00:00:25,134
THIS IS RIDICULOUS. I DON'T
HAVE TO PUT UP WITH THIS JIVE.

6
00:00:25,158 --> 00:00:27,259
I MEAN, I CAN ALWAYS
QUIT, AND I WILL TOO.

7
00:00:27,327 --> 00:00:30,207
I CAN'T WORK MY SHOW EVERY
NIGHT, THEN WORK THE MORNING SHIFT.

8
00:00:31,265 --> 00:00:33,731
THAT'S ALL THERE IS TO IT.

9
00:00:33,800 --> 00:00:35,779
HEY, VENUS, HOW'S IT GOIN'?

10
00:00:35,803 --> 00:00:37,814
ANDY BETTER FIND SOMEBODY
ELSE QUICK. YOU UNDERSTAND? NO.

11
00:00:37,838 --> 00:00:41,540
I'M TALKIN' SERIOUS BUSINESS,
MAN. I'LL LOOK INTO IT FOR YOU. OKAY.

12
00:00:41,609 --> 00:00:43,975
MORNING, BARNUM.

13
00:00:44,044 --> 00:00:47,646
- IT'S BAILEY.
- BAILEY. RIGHT. WELL, HEY...

14
00:00:47,714 --> 00:00:50,026
HONEST MISTAKE... ANYONE
COULD MAKE IT. WHOA.

15
00:00:50,050 --> 00:00:52,317
HI, BEAUTIFUL. YOU GET
THE CHAMPAGNE I SENT YOU?

16
00:00:52,385 --> 00:00:54,686
I RETURNED IT TO YOUR
OFFICE. YOU RETURNED IT? WHY?

17
00:00:54,755 --> 00:00:58,690
MURRAY, WE DO NOT ACCEPT GIFTS
FROM RECORD COMPANY REPRESENTATIVES.

18
00:00:58,759 --> 00:01:00,792
ESPECIALLY, DOMESTIC CHAMPAGNE.

19
00:01:00,860 --> 00:01:03,094
OH, I SEE.

20
00:01:03,163 --> 00:01:05,842
YEAH. WELL, YOU THOUGHT IT WAS A
BRIBE. SEE, IT WAS JUST FRIENDSHIP.

21
00:01:05,866 --> 00:01:09,300
I'D NEVER ASK FOR ANY FAVORS.
UH, I JUST WANNA KNOW ONE THING.

22
00:01:09,369 --> 00:01:12,270
WHAT? WHY DOESN'T THE
STATION PLAY MY RECORDS?

23
00:01:12,339 --> 00:01:14,706
DON'T KNOW. DON'T CARE.

24
00:01:14,774 --> 00:01:18,409
YOU KNOW, UH, MY BOSS AT ONSLAUGHT
RECORDS, UH, DOESN'T LIKE THIS.

25
00:01:18,478 --> 00:01:22,280
I COULD LOSE MY JOB. YOU KNOW, JENNIFER,
IT'S NOT REALLY FOR ME. IT'S FOR MOM.

26
00:01:22,349 --> 00:01:26,118
SHE'S IN THE HOSPITAL. BEEN KIND OF SICK.
BUNIONS ON HER FEET AND BAD DENTAL WORK.

27
00:01:26,186 --> 00:01:28,098
I DON'T KNOW, BUT THE BILLS
ARE STARTING TO PILE UP.

28
00:01:28,122 --> 00:01:32,424
TOO BAD. HEY, WHAT'S WITH
EVERYONE AROUND HERE?

29
00:01:32,493 --> 00:01:35,493
JOHNNY QUIT. JOHNNY FEVER?

30
00:01:35,562 --> 00:01:38,196
YES, HE TOOK A JOB
WITH A STATION IN L.A.

31
00:01:38,265 --> 00:01:40,243
OH, WOW. THAT'S TOO BAD.
WHO'S TAKING HIS PLACE?

32
00:01:40,267 --> 00:01:42,734
I DON'T KNOW. ANDY'S BEEN
INTERVIEWING PEOPLE ALL WEEK.

33
00:01:42,803 --> 00:01:45,336
YEAH? HAS HE FOUND
ANYONE YET? NOPE.

34
00:01:45,405 --> 00:01:48,307
HMM. I'LL BE BACK
TOMORROW, JENNIFER.

35
00:01:48,375 --> 00:01:51,876
YEAH, I'D LIKE TO HELP THIS STATION. SO
WHAT IF THEY DON'T PLAY MY RECORDS.

36
00:01:51,945 --> 00:01:55,347
JENNIFER, THIS'LL BE THE BIGGEST
FAVOR I'VE EVER DONE FOR ANYONE.

37
00:01:55,416 --> 00:01:59,417
HAVE I GOT A DEEJAY FOR YOU.

38
00:01:59,486 --> 00:02:02,487
YOU'RE WELCOME.

39
00:02:02,556 --> 00:02:06,858
<i>♪ BABY IF YOU'VE EVER WONDERED ♪</i>

40
00:02:06,927 --> 00:02:11,029
<i>♪ WONDERED WHATEVER
BECAME OF ME ♪</i>

41
00:02:11,098 --> 00:02:15,800
<i>♪ I'M LIVING ON THE
AIR IN CINCINNATI ♪</i>

42
00:02:15,869 --> 00:02:20,071
<i>♪ CINCINNATI, WKRP ♪</i>

43
00:02:20,140 --> 00:02:23,741
<i>♪ GOT KIND OF TIRED OF
PACKING AND UNPACKING ♪</i>

44
00:02:23,810 --> 00:02:27,245
<i>♪ TOWN TO TOWN UP
AND DOWN THE DIAL ♪</i>

45
00:02:29,149 --> 00:02:32,283
<i>♪ MAYBE YOU AND ME
WERE NEVER MEANT TO BE ♪</i>

46
00:02:32,352 --> 00:02:36,421
<i>♪ JUST MAYBE THINK
OF ME ONCE IN A WHILE ♪</i>

47
00:02:36,490 --> 00:02:39,090
<i>♪ I'M AT WKRP ♪</i>

48
00:02:39,159 --> 00:02:42,527
<i>♪ IN CINCINNATI ♪♪</i>

49
00:02:47,467 --> 00:02:49,734
HEY, ANDY!

50
00:02:49,803 --> 00:02:52,136
MASON NOBEL.
HEY, GLAD TO SEE YA.

51
00:02:52,205 --> 00:02:54,673
EH, GLAD TO BE SEEN BY YOU.

52
00:02:54,741 --> 00:02:57,442
GLAD TO BE GLAD. HEY.

53
00:02:57,511 --> 00:03:00,478
UH, MASON, LET ME START BY
SAYING... UH, YOU WANT ME TO SIT?

54
00:03:00,548 --> 00:03:03,148
OH, HEY, THAT'S GREAT.
WOW, GREAT. THANKS A LOT.

55
00:03:03,216 --> 00:03:06,684
OH. GREAT SEAT. MMM.

56
00:03:06,753 --> 00:03:10,121
GREAT STATION.
GREAT TO BE ALIVE. HEY.

57
00:03:10,190 --> 00:03:13,091
SO YOU'RE THE PROGRAM DIRECTOR,
RIGHT? RIGHT. THAT'S GREAT.

58
00:03:13,160 --> 00:03:15,839
I GET ALONG GREAT WITH PROGRAM
DIRECTORS. THERE WAS THIS GUY ONCE...

59
00:03:15,863 --> 00:03:18,864
WHO KILLED SEVEN PEOPLE.

60
00:03:18,932 --> 00:03:21,700
I STILL GOT ALONG WITH HIM.
I THOUGHT HE WAS GREAT.

61
00:03:23,570 --> 00:03:27,505
- UH, MAY I SAY SOMETHING?
- OH, HEY, YOU BETCHA, ANDY.

62
00:03:27,574 --> 00:03:30,608
TELL ME A LITTLE ABOUT
YOURSELF, ABOUT THE STATION. YEAH.

63
00:03:30,677 --> 00:03:34,279
MASON, I WANNA START BY SAYING THAT WHAT
WE'RE LOOKING FOR IN A NEW MORNING MAN...

64
00:03:34,347 --> 00:03:38,583
- IS, UH, INDIVIDUALITY.
- OH, HEY. MR. INDIVIDUALITY,
THAT'S ME, ANDY.

65
00:03:38,652 --> 00:03:43,989
I LIKE TO THINK OF MYSELF AS NOT
JUST UNIQUE BUT DIFFERENT, SEE?

66
00:03:44,058 --> 00:03:47,192
REALLY. FOR EXAMPLE, UH, EH...

67
00:03:47,261 --> 00:03:49,494
THIS IS MASON NOBEL HERE
WITH THE SOUNDS THAT ABOUND...

68
00:03:49,563 --> 00:03:51,496
AND SOMETIMES ASTOUND.

69
00:03:51,565 --> 00:03:55,066
AND IT'S ALL PLANNED
ESPECIALLY FOR YOU. HEY.

70
00:03:56,269 --> 00:03:59,204
THAT'S NICE. YEAH.
ISN'T IT GREAT?

71
00:03:59,272 --> 00:04:01,873
YEAH, IT ALMOST
RHYMES, ANDY. YEAH...

72
00:04:01,942 --> 00:04:05,877
- IT IS ANDY, RIGHT?
- I... YEAH.

73
00:04:05,945 --> 00:04:09,013
YEAH. HEY. WELL... LISTEN, HERE'S
MY, UH... MY AUDITION TAPE, ANDY.

74
00:04:09,082 --> 00:04:11,716
I THINK YOU'RE REALLY GONNA
GET A KICK OUT OF THIS ONE.

75
00:04:11,785 --> 00:04:15,454
- OKAY, MASON,
I'LL GIVE IT A LISTEN TO.
- OKAY, THIS IS GREAT. UH, HEY.

76
00:04:15,522 --> 00:04:18,790
LET'S GO GRAB SOME LUNCH. WHAT
DO YOU SAY? I APPRECIATE THE OFFER,

77
00:04:18,859 --> 00:04:21,893
BUT I AM KIND OF BUSY, AND IT'S
ONLY 9:30 IN THE MORNING. OH.

78
00:04:21,961 --> 00:04:24,529
RIGHT. HEY.

79
00:04:27,133 --> 00:04:30,401
WELL, LET ME JUST GO
GET OUT OF YOUR HAIR.

80
00:04:32,172 --> 00:04:34,851
THIS IS MASON NOBEL HERE.
YOUR MID-MORNING HOST SAYING...

81
00:04:34,875 --> 00:04:37,642
TH-THAT'S ALL... FOR NOW.

82
00:04:37,711 --> 00:04:41,313
- THAT ALMOST RHYMES.
- YEAH, ISN'T IT GREAT? IT'S GREAT.

83
00:04:46,219 --> 00:04:48,865
- ANDY, BABY,
I GOT TO TALK TO YOU.
- OH, MURRAY. NO, NO.

84
00:04:48,889 --> 00:04:51,200
- NOT NOW, MURRAY. LOOK, I'M INTERVIEWING.
- I KNOW. I KNOW.

85
00:04:51,224 --> 00:04:54,759
I FOUND YOUR GUY. LOOK, THERE'S PLENTY
OF PEOPLE IN THE LOBBY AHEAD OF YOU.

86
00:04:54,828 --> 00:04:57,929
SEND 'EM HOME, PAL. YOUR SEARCH
IS OVER. JUST THIS ONCE, TRUST ME.

87
00:04:57,998 --> 00:05:01,966
OKAY, MURRAY. THREE MINUTES,
MURRAY. IT'S ALL I'LL NEED, BUDDY BOY.

88
00:05:02,035 --> 00:05:04,770
COME ON IN HERE.

89
00:05:04,838 --> 00:05:07,839
SAY HELLO TO YOUR NEW RATINGS
BOOSTER, MR. DOUG WINNER.

90
00:05:07,908 --> 00:05:10,720
COURTESY OF ME, MURRAY GRESSLER,
ONSLAUGHT RECORDS. NO STRINGS ATTACHED.

91
00:05:10,744 --> 00:05:12,877
THAT'S THE WAY WE WORK.

92
00:05:12,946 --> 00:05:16,147
WELL, HI, DOUG. SHAKE HANDS.

93
00:05:16,216 --> 00:05:18,628
HELLO, ANDY. IT'S NICE TO MEET
YOU. ISN'T HE A BEAUTIFUL GUY?

94
00:05:18,652 --> 00:05:21,386
NO ZITS, NOTHIN'.
WHAT A MORNING MAN.

95
00:05:21,455 --> 00:05:24,322
MURRAY... SIT DOWN.

96
00:05:24,391 --> 00:05:27,036
SO, LISTEN, DOUG. HOW LONG
YOU BEEN IN THE BUSINESS?

97
00:05:27,060 --> 00:05:30,295
HE'S BEEN IN IT SEVEN YEARS. HE'S OUT OF
WORK NOW, BUT, HEY, FORGET I SAID THAT.

98
00:05:30,364 --> 00:05:32,542
IN FACT, WHAT AM I SAYIN', HUH?

99
00:05:32,566 --> 00:05:35,367
I QUIT TO GET MY MASTER'S, BUT
I'VE DECIDED TO GET BACK IN ACTION.

100
00:05:35,436 --> 00:05:37,413
- SEE THAT? A COLLEGE BOY.
- YOU GOT A TAPE?

101
00:05:37,437 --> 00:05:39,504
YOU GOT A TAPE? I
KNEW IT. SHOW IT TO HIM.

102
00:05:39,573 --> 00:05:41,740
UH, MURRAY, I THINK I
CAN SPEAK FOR MYSELF.

103
00:05:41,809 --> 00:05:44,987
SURE YOU CAN, KID. THAT'S WHY GOD GAVE YOU
A TONGUE. I'M JUST HERE TO OBSERVE, RIGHT?

104
00:05:45,011 --> 00:05:48,579
I GOT A TAPE RIGHT HERE. YEAH. LOOK,
IT'S COME IN A BOX AND EVERYTHING.

105
00:05:48,648 --> 00:05:51,249
MURRAY, WAIT IN THE HALL. <i>WHAT?</i>

106
00:05:51,318 --> 00:05:53,251
RIGHT.

107
00:05:56,256 --> 00:05:58,256
- MURRAY!
- WHAT?

108
00:05:58,325 --> 00:06:01,559
- NOW SHUT THE DOOR.
- ALL RIGHT, YOU GOT TO TELL ME
THESE THINGS.

109
00:06:10,203 --> 00:06:12,715
SOUNDS GOOD. SO, HOW DID IT
GO? YOU CAN TELL ME, RIGHT?

110
00:06:12,739 --> 00:06:14,751
NO THANKS TO YOU, I
THINK WE'VE FOUND...

111
00:06:14,775 --> 00:06:17,508
OUR NEW MORNING MAN. THANKS
AGAIN, ANDY. I APPRECIATE IT.

112
00:06:17,577 --> 00:06:20,256
YOU BETCHA. LET'S GO... DON'T
FORGET WHO PUT THIS DEAL TOGETHER.

113
00:06:20,280 --> 00:06:22,959
MURRAY GRESSLER,
ONSLAUGHT... WHERE YOU GOIN'?

114
00:06:22,983 --> 00:06:25,416
HEY, WAIT A MINUTE.
HOW'D THIS GET UP HERE?

115
00:06:25,485 --> 00:06:27,463
AIN'T THAT FUNNY?
WE CAN'T HAVE THIS.

116
00:06:27,487 --> 00:06:30,988
YOU DON'T EVEN GET THESE IN
JAPAN ANYMORE. THIS IS UNBELIEVABLE.

117
00:06:31,057 --> 00:06:35,427
<i>♪ WKRP, CINCINNATI ♪</i>

118
00:06:35,496 --> 00:06:38,897
THIS IS DOUG WINNER
AT 9:25 IN THE QUEEN CITY.

119
00:06:38,966 --> 00:06:41,766
AND NOW HERE'S A SONG THAT
IS GOING RIGHT TO THE TOP.

120
00:06:41,835 --> 00:06:45,470
"NOWHERE BAND" BY
THE SOUNDTASTICS. YEAH.

121
00:06:45,539 --> 00:06:48,473
♪ EVERYBODY EVERYWHERE
DON'T NOBODY GO NOWHERE ♪

122
00:06:48,542 --> 00:06:50,675
♪ GET ON THE BUS TRAVEL
WITH THE NOWHERE BAND ♪

123
00:06:50,744 --> 00:06:54,813
- HI.
- HELLO. I'M LES NESSMAN,

124
00:06:54,881 --> 00:06:58,750
DIRECTOR OF NEWS,
SPORTS, WEATHER,

125
00:06:58,819 --> 00:07:02,653
TRAFFIC... AND FARM REPORTS.

126
00:07:02,722 --> 00:07:04,756
I KNOW. UH, WE MET A
COUPLE OF DAYS AGO.

127
00:07:04,824 --> 00:07:06,791
YES.

128
00:07:08,027 --> 00:07:10,662
NOW I PUT MY THINGS OVER HERE.

129
00:07:13,600 --> 00:07:16,401
THESE ARE MY CARTS, AND
THESE ARE MY TEAR SHEETS.

130
00:07:16,470 --> 00:07:18,403
NEVER TOUCH MY TEAR SHEETS.

131
00:07:18,472 --> 00:07:22,106
YOU CAN TOUCH MY CARTS
BUT NEVER MY TEAR SHEETS.

132
00:07:22,175 --> 00:07:26,077
AN ORGANIZED NEWSROOM IS A
RELIABLE NEWSROOM. RIGHT, LES.

133
00:07:27,280 --> 00:07:29,214
MUSIC'S FUN,

134
00:07:29,283 --> 00:07:33,117
BUT NEWS TOUCHES ALL OUR LIVES.

135
00:07:33,186 --> 00:07:35,487
YOU'RE RIGHT. IT
DOES. I AGREE WITH YOU.

136
00:07:35,555 --> 00:07:37,288
YOU DO?

137
00:07:37,357 --> 00:07:40,758
DIDN'T YOU WIN THE BUCKEYE
NEWSHAWK AWARD LAST YEAR?

138
00:07:40,827 --> 00:07:43,147
YOU MIGHT WORK
OUT AFTER ALL, DOUG.

139
00:07:44,865 --> 00:07:47,899
OUT OF THE WAY, LES.
DOUG, TARLEK HERE.

140
00:07:47,968 --> 00:07:51,102
- I GUESS I DON'T
HAVE TO TELL YOU THAT.
- I'VE HEARD A LOT ABOUT YOU.

141
00:07:51,171 --> 00:07:53,171
YEAH? WELL, DON'T
BELIEVE ALL THAT JUNK.

142
00:07:53,239 --> 00:07:55,139
NO, IT WAS ALL GOOD.

143
00:07:55,208 --> 00:07:57,608
OH, YEAH? WHO WAS IT
YOU WERE TALKIN' TO?

144
00:07:57,677 --> 00:07:59,477
A LOT OF PEOPLE.

145
00:07:59,546 --> 00:08:02,480
GLAD TO HAVE YOU ABOARD,
DOUG. THANKS, HERB.

146
00:08:02,549 --> 00:08:05,349
- HEY, I APPRECIATE
YOU GUYS COMING IN.
- OUR PLEASURE.

147
00:08:05,418 --> 00:08:08,597
OH, I HOPE YOU DON'T MIND IF I COME TO
YOU FOR ADVICE EVERY NOW AND THEN.

148
00:08:08,621 --> 00:08:11,857
CERTAINLY NOT, DOUG.

149
00:08:11,925 --> 00:08:15,205
AND YOU CAN TOUCH MY
TEAR SHEETS IF YOU WANT TO.

150
00:08:17,430 --> 00:08:20,365
♪ TRAVEL WITH THE
NOWHERE BAND ♪♪

151
00:08:20,433 --> 00:08:23,000
LOOK, THE GUY'S ONLY
BEEN HERE FIVE DAYS,

152
00:08:23,069 --> 00:08:25,114
AND THE TWO OF YOU HAVE
HARDLY EVEN SPOKEN TO HIM.

153
00:08:25,138 --> 00:08:27,539
- NOW, WHAT'S THAT ALL ABOUT?
- HEY, I'VE TALKED TO HIM.

154
00:08:27,608 --> 00:08:30,720
YOU'VE TALKED WITH HIM? YOU TRY TO MAKE
FRIENDS WITH HIM? YOU TRY TO HELP HIM OUT?

155
00:08:30,744 --> 00:08:34,145
- NOT EXACTLY.
- BAILEY, HOW ABOUT YOU?

156
00:08:34,214 --> 00:08:37,048
YOU KNOW HOW HARD IT IS
FOR ME TO TALK TO STRANGERS.

157
00:08:37,116 --> 00:08:39,517
OH, COME ON. HE'S NO STRANGER.

158
00:08:39,586 --> 00:08:41,252
WELL, HE'S NOT JOHNNY EITHER.

159
00:08:41,321 --> 00:08:43,654
NO, HE'S NOT JOHNNY. HE IS DOUG.

160
00:08:43,723 --> 00:08:45,835
COME ON. YOU TWO
OUGHT TO GIVE HIM A BREAK.

161
00:08:45,859 --> 00:08:49,527
<i>LOOK, JOHNNY IS GONE, AND THERE'S NOT A
DARNED THING THAT WE CAN DO ABOUT THAT.</i>

162
00:08:49,596 --> 00:08:52,897
I GUESS YOU'RE RIGHT, ANDY.
BUT, I DON'T KNOW. THERE'S...

163
00:08:52,966 --> 00:08:55,644
THERE'S SOMETHING ABOUT
THIS GUY. YOU KNOW, HE...

164
00:08:55,668 --> 00:08:58,703
I CAN'T PUT MY FINGER ON
IT, BUT HE'S SO... SO WHITE.

165
00:09:00,807 --> 00:09:03,274
YOU KNOW WHAT I MEAN. TRAVIS.

166
00:09:03,343 --> 00:09:06,377
GOSH DARN IT, I LIKE
THAT NEW GUY. ME TOO.

167
00:09:06,446 --> 00:09:09,580
- YOU MADE A GREAT CHOICE.
- YOU TWO GUYS LIKE HIM?

168
00:09:09,649 --> 00:09:12,116
YEAH! SURE DO.

169
00:09:12,185 --> 00:09:15,687
SEE, ANDY? THERE'S GOT TO
BE SOMETHING WRONG WITH HIM.

170
00:09:15,755 --> 00:09:20,257
THE POINT IS, DOUG'S GONNA
BE AROUND FOR A LONG TIME.

171
00:09:20,326 --> 00:09:23,446
<i>COME ON. LET'S MAKE
HIM PART OF THE TEAM.</i>

172
00:09:25,598 --> 00:09:29,200
I'M SORRY TO INTERRUPT, BUT
I'D LIKE TO SHOW YOU SOMETHING.

173
00:09:29,269 --> 00:09:31,236
DO IT.

174
00:09:35,041 --> 00:09:37,141
TA-DA!

175
00:09:37,210 --> 00:09:39,143
MIND IF I COME IN?

176
00:09:41,848 --> 00:09:44,449
DR. FEVER!

177
00:09:44,518 --> 00:09:47,718
HEY, MAN!

178
00:09:49,289 --> 00:09:52,857
WHAT ARE YOU DOIN' BACK
HERE, MAN? I'M LOOKIN' FOR A JOB.

179
00:09:52,926 --> 00:09:56,560
UH, YEAH, UH...

180
00:09:56,630 --> 00:09:58,930
LOOK, JOHNNY. I JUST
FILLED YOUR, UH, TIME SLOT.

181
00:09:58,999 --> 00:10:01,599
WELL, I FIGURED, UH...

182
00:10:01,667 --> 00:10:04,134
YOU GOT ANYTHING ELSE?

183
00:10:04,203 --> 00:10:07,216
HOW ABOUT MOSS STEIGER'S
SPOT? WHAT HAPPENED TO MOSS?

184
00:10:07,240 --> 00:10:09,140
WELL, HE TRIED TO
KILL HIMSELF AGAIN.

185
00:10:09,209 --> 00:10:12,043
THIS TIME HE GOT INTO A
CLOSET WITH A HIBACHI...

186
00:10:12,112 --> 00:10:15,080
AND TRIED TO ASPHYXIATE
HIMSELF. MY GOD.

187
00:10:15,148 --> 00:10:17,982
JOHNNY, I'M NOT SURE
YOU'RE GONNA LIKE IT,

188
00:10:18,051 --> 00:10:19,985
BUT DO YOU MIND
SITTING IN FOR MOSS?

189
00:10:20,053 --> 00:10:22,686
I'D LOVE TO SIT IN FOR HIM.

190
00:10:22,755 --> 00:10:24,655
IN THAT CASE, MY
FRIEND, YOU HAVE GOT IT.

191
00:10:24,724 --> 00:10:26,825
AND WELCOME BACK TO
YOU. SIT DOWN. COME ON.

192
00:10:26,893 --> 00:10:29,205
TELL US WHAT HAPPENED. WHAT
HAPPENED TO YOUR L.A. JOB?

193
00:10:29,229 --> 00:10:32,230
DID YOU SAY "BOOGER"
ON THE AIR AGAIN?

194
00:10:32,298 --> 00:10:35,300
NO. YOU CAN SAY THAT
ON THE AIR OUT THERE NOW.

195
00:10:35,368 --> 00:10:37,368
BUT YOU CAN'T SAY...

196
00:10:43,043 --> 00:10:46,945
♪

197
00:10:50,150 --> 00:10:53,818
<i>♪♪</i>

198
00:11:11,138 --> 00:11:13,304
OOH.

199
00:11:14,941 --> 00:11:19,344
ALL RIGHT. IT'S 5:27
IN THE MORNING...

200
00:11:19,412 --> 00:11:23,515
ON WKRP IN CINCINNATI.

201
00:11:25,619 --> 00:11:29,187
I'M YOU'RE NEW HOST
FROM MIDNIGHT TO 6:00 A.M.

202
00:11:31,158 --> 00:11:34,492
MY NAME IS HEAVY EARLY.

203
00:11:36,663 --> 00:11:39,164
AND IT IS.

204
00:11:39,232 --> 00:11:42,667
AND I'M HERE WITH MUSIC...

205
00:11:42,735 --> 00:11:45,970
MUSIC FOR PEOPLE WHO...

206
00:11:46,039 --> 00:11:48,773
DON'T HAVE ANYTHING
BETTER TO DO...

207
00:11:48,841 --> 00:11:51,242
THAN TO STAY UP ALL NIGHT...

208
00:11:52,546 --> 00:11:55,012
LISTENING TO MUSIC...

209
00:11:57,884 --> 00:12:00,918
WITH ME TALKING OCCASIONALLY...

210
00:12:02,822 --> 00:12:05,590
IN BETWEEN THE RECORDS,

211
00:12:06,660 --> 00:12:10,061
WHICH BREAK UP THE MONOTONY...

212
00:12:10,129 --> 00:12:13,698
OF ME TALKING ENDLESSLY...

213
00:12:15,635 --> 00:12:23,508
ON AND ON AND ON...
ON WKRP IN CINCINNATI,

214
00:12:24,911 --> 00:12:27,545
WHERE IT'S 5...

215
00:12:29,349 --> 00:12:31,282
28...

216
00:12:33,220 --> 00:12:38,590
AND TIME FOR THIS
FASCINATING MESSAGE.

217
00:12:38,658 --> 00:12:41,225
WE'RE HAPPY LITTLE WORMS ♪

218
00:12:41,294 --> 00:12:43,561
♪ WE LOVE TO FISH WITH YOU ♪

219
00:12:43,630 --> 00:12:48,099
♪ WE CATCH THE BIG ONES EVERY
TIME BECAUSE WE'RE HOOKED ON YOU ♪

220
00:12:48,167 --> 00:12:51,869
♪ RED WIGGLERS THE
CADILLAC OF WORMS ♪

221
00:12:51,938 --> 00:12:54,171
♪ WE'RE THE CADILLAC OF WORMS ♪

222
00:12:54,240 --> 00:12:56,373
♪ WE'RE THE CADILLAC OF WORMS ♪

223
00:12:56,442 --> 00:12:58,375
♪ WE'RE THE CADILLAC OF WORMS ♪

224
00:12:58,444 --> 00:13:00,412
♪♪

225
00:13:00,480 --> 00:13:04,615
REMEMBER, RED WIGGLERS,
THE CADILLAC OF WORMS.

226
00:13:06,486 --> 00:13:09,821
THEY'RE AVAILABLE IN FINE
WORM SHOPS EVERYWHERE.

227
00:13:11,858 --> 00:13:15,560
AND... IT'S COMIN' UP ON... ♪♪

228
00:13:15,628 --> 00:13:20,565
5:29 IN CINCINNATI.
THIS IS THE MIGHTY KRP.

229
00:13:20,633 --> 00:13:23,168
I'M HEAVY EARLY
ASKING THE QUESTION...

230
00:13:23,236 --> 00:13:26,071
THAT ALL LATE-NIGHT
DISC JOCKEYS ASK...

231
00:13:26,139 --> 00:13:28,139
IS THERE ANYBODY OUT THERE?

232
00:13:28,208 --> 00:13:32,077
♪♪

233
00:13:36,083 --> 00:13:38,049
MORNING.

234
00:13:41,421 --> 00:13:42,127
WHO ARE YOU?

235
00:13:42,151 --> 00:13:44,655
I'M, UH, DOUG WINNER.
I'M THE NEW MORNING MAN.

236
00:13:44,724 --> 00:13:46,924
OH, I'M, UH... I'M HEAVY EARLY.

237
00:13:47,927 --> 00:13:50,794
I USED TO BE DR. JOHNNY FEVER.

238
00:13:50,863 --> 00:13:53,031
OH! YOU'RE THE DOCTOR!

239
00:13:53,099 --> 00:13:56,434
WELL, THIS IS AN HONOR.

240
00:13:56,502 --> 00:13:59,770
WHEN I HEARD YOU WERE BACK, I
THOUGHT THEY'D JUST THROW ME RIGHT OUT.

241
00:13:59,839 --> 00:14:03,707
AW, NO. THEY DON'T WORK THAT
WAY AROUND HERE, UH, DOUG?

242
00:14:03,776 --> 00:14:07,278
YEAH. OH, LISTEN. I'M REALLY
SORRY I GOT YOUR JOB.

243
00:14:07,347 --> 00:14:09,307
I QUIT. IT'S MY OWN FAULT.

244
00:14:09,349 --> 00:14:11,394
LISTEN, CAN I GET YOU SOME
COFFEE? NO, I'LL MAKE SOME.

245
00:14:11,418 --> 00:14:13,629
NO, NO. I'LL MAKE
IT. I'LL MAKE IT, OKAY?

246
00:14:13,653 --> 00:14:16,432
YOU JUST STAY HERE, RELAX, UH,
GET ORGANIZED. OKAY. THANKS, JOHNNY.

247
00:14:16,456 --> 00:14:20,525
YEAH. I'M GONNA PLAY THE WHOLE
SIDE, SO DON'T WORRY. RIGHT.

248
00:14:39,346 --> 00:14:41,679
MURRAY, THIS IS WINNER.

249
00:14:41,748 --> 00:14:44,482
I DON'T CARE WHAT TIME
IT IS, MAN. WE MADE A DEAL.

250
00:14:44,550 --> 00:14:48,519
AND I'D BETTER SEE YOU UP HERE SOMETIME
TODAY, OR YOU CAN JUST FORGET ABOUT IT.

251
00:14:49,789 --> 00:14:54,058
EXCUSE ME. WHY DID I JUST LEAVE?

252
00:14:54,126 --> 00:14:56,828
- COFFEE.
- RIGHT.

253
00:15:21,054 --> 00:15:23,588
GOOD MORNING, SWEETHEART.

254
00:15:23,656 --> 00:15:25,856
DO YOU STILL RESPECT ME?

255
00:15:28,562 --> 00:15:30,728
YOU KNOW I DO.

256
00:15:30,797 --> 00:15:33,531
THERE'S NEVER BEEN ANYONE ELSE.

257
00:15:33,600 --> 00:15:35,533
YOU KNOW THAT.

258
00:15:35,602 --> 00:15:38,669
BUT YOU'VE BEEN
MARRIED TWICE ALREADY.

259
00:15:38,738 --> 00:15:40,705
ACCIDENTS, BOTH OF 'EM.

260
00:15:41,874 --> 00:15:43,808
HEY!

261
00:15:43,876 --> 00:15:46,055
COME ON. WAKE UP, JOHNNY.
YOU GOT TO GET OUT OF HERE.

262
00:15:46,079 --> 00:15:48,324
- I'VE GOT A MEETING
WITH SOME CLIENTS.
- YEAH. OKAY.

263
00:15:48,348 --> 00:15:51,883
- I'LL GO TO MY APARTMENT.
- YOU DON'T HAVE AN APARTMENT
ANYMORE.

264
00:15:51,952 --> 00:15:54,819
RIGHT. I'LL... I'LL GO FIND ONE.

265
00:15:57,724 --> 00:16:01,426
♪♪

266
00:16:01,494 --> 00:16:04,729
♪♪

267
00:16:12,639 --> 00:16:16,340
♪ EVERYBODY EVERYWHERE
DON'T NOBODY GO NOWHERE ♪

268
00:16:16,409 --> 00:16:19,443
<i>♪ GET ON THE BUS TRAVEL
WITH THE NOWHERE BAND ♪</i>

269
00:16:19,512 --> 00:16:21,846
<i>♪ ATLANTA NEXT STOP CINCINNATI ♪</i>

270
00:16:21,915 --> 00:16:23,881
<i>♪ COME ON, STOP I'M
GETTIN' BATTY... ♪♪</i>

271
00:16:31,057 --> 00:16:33,502
WELL, HOW'S IT GOIN', PAL? I,
UH, CAME RIGHT DOWN. GOOD.

272
00:16:33,526 --> 00:16:36,372
YOU OWE ME. YEAH, I KNOW. LOOK, I,
UH, BROUGHT SOME RECORDS DOWN...

273
00:16:36,396 --> 00:16:38,996
I'D LIKE YOU TO GIVE A
LISTEN TO AND, UH... SWELL.

274
00:16:39,065 --> 00:16:42,467
THERE'S A LITTLE SOMETHING SPECIAL IN THIS
RECORD JACKET, UH, IF YOU GET MY DRIFT.

275
00:16:42,535 --> 00:16:44,935
COMPLIMENTS OF ONSLAUGHT.

276
00:16:45,004 --> 00:16:48,272
YOU KNOW, UH, I WAS TALKIN' TO THE
BOYS LAST NIGHT ON THE COAST. UH...

277
00:16:48,341 --> 00:16:50,975
THEY SAY THEY LOVE YOU.
THEY SAY A MILLION KISSES.

278
00:16:51,043 --> 00:16:53,522
THEY SAY THANKS FROM THE BOTTOM
OF THEIR HEARTS TO A WONDERFUL GUY.

279
00:16:53,546 --> 00:16:55,724
SAMMY DAVIS COULDN'T HAVE
SAID IT MORE BEAUTIFULLY, HUH?

280
00:16:55,748 --> 00:16:58,515
YOU KNOW WHAT I MEAN? YEAH, THAT'S
NICE. I GOT TO GET BACK ON THE AIR.

281
00:16:58,584 --> 00:17:00,584
YEAH, RIGHT, UH... AND, UH...

282
00:17:00,653 --> 00:17:04,522
HEY, BIG "NOWHERE BAND"
GOOD-BYE, OKAY? MURRAY, I GOT TO GO.

283
00:17:04,591 --> 00:17:06,872
YEAH, SURE YOU DO. GO
GET 'EM, SWEETHEART.

284
00:17:25,511 --> 00:17:29,947
♪ WHO YOU KNOW BACK ON THE BUS,
TRAVEL WITH THE NOWHERE BAND ♪♪

285
00:17:38,758 --> 00:17:42,460
THAT WAS "NOWHERE
BAND" BY THE SOUNDTASTICS.

286
00:17:42,528 --> 00:17:45,728
AND NOW LET'S GIVE
A LITTLE LISTEN... <i>♪♪</i>

287
00:17:51,037 --> 00:17:53,437
HEY, JOHNNY. YOU STILL HERE?

288
00:17:53,506 --> 00:17:56,107
YEAH, I WAS RACKED OUT
IN THE BACK. AH, GOOD.

289
00:17:56,175 --> 00:17:59,677
- YEAH, IN THE STOREROOM.
- HEY, NO KIDDING.

290
00:17:59,745 --> 00:18:02,347
YEAH.

291
00:18:02,415 --> 00:18:05,450
WHAT'S THIS, SOME NEW RELEASES
FROM ONSLAUGHT? YEAH, I THINK SO.

292
00:18:05,518 --> 00:18:07,496
HEY-HEY, DON'T
TOUCH THEM. WHY NOT?

293
00:18:07,520 --> 00:18:09,565
JUST PUT 'EM DOWN. WHAT
ARE YOU GETTING EDGY ABOUT?

294
00:18:09,589 --> 00:18:11,967
JUST PUT 'EM DOWN,
WILL YOU? WHAT'S THIS?

295
00:18:11,991 --> 00:18:14,036
IT DOESN'T BELONG TO YOU. A
LITTLE PRESENT HERE FROM MURRAY?

296
00:18:14,060 --> 00:18:16,238
I DON'T KNOW WHAT YOU'RE
TALKING ABOUT. A LITTLE NOSE CANDY.

297
00:18:16,262 --> 00:18:18,395
WHATEVER THAT IS, IT'S NOT MINE.

298
00:18:18,464 --> 00:18:21,332
DON'T JIVE ME, OKAY? IT'S
NOT MINE, WHATEVER IT IS.

299
00:18:21,400 --> 00:18:23,568
IT'S COCAINE.

300
00:18:23,636 --> 00:18:26,671
I WOULDN'T KNOW. HEY, MAN, LOOK.

301
00:18:26,739 --> 00:18:28,851
I'M NOT TELLING YOU
HOW TO RUN YOUR LIFE,

302
00:18:28,875 --> 00:18:31,086
BUT MURRAY IS TROUBLE
AND THIS IS A FELONY.

303
00:18:31,110 --> 00:18:33,488
WHAT'S THE BIG DEAL, MAN? I'VE
NEVER EVEN SEEN THAT STUFF BEFORE!

304
00:18:33,512 --> 00:18:36,747
IT'S PAYOLA, MAN. IT COULD
COST THE STATION ITS LICENSE.

305
00:18:36,816 --> 00:18:41,552
OH, SO I SUPPOSE YOU'LL TRY AND USE
THIS TO GET YOUR OLD JOB BACK, HUH?

306
00:18:41,621 --> 00:18:44,288
YOU KNOW, YOU MAKE
IT REAL TEMPTING.

307
00:18:46,058 --> 00:18:48,659
OH, GOOD MORNING, GENTLEMEN.
YOU TWO GETTING ACQUAINTED?

308
00:18:48,728 --> 00:18:50,661
OH, YEAH. SURE ARE, MR. CARLSON.

309
00:18:50,730 --> 00:18:54,231
WHAT... WHAT'S THAT? THIS, UH...

310
00:18:56,703 --> 00:19:00,704
YOU TELL HIM. YOU'RE DYING TO.

311
00:19:02,842 --> 00:19:05,743
IT'S, UH, FOOT
POWDER, MR. CARLSON.

312
00:19:05,812 --> 00:19:11,015
NO KIDDING. LET...
WELL, LET ME SEE IT.

313
00:19:11,084 --> 00:19:13,184
FOOT POWDER, HUH?

314
00:19:13,252 --> 00:19:16,253
WELL, THERE'S NOT MUCH HERE.

315
00:19:16,322 --> 00:19:18,790
WELL, IT'S, UH, REALLY
POTENT, YOU KNOW?

316
00:19:18,858 --> 00:19:24,162
LITTLE GOES A LONG WAY. YOU
CAN'T GET THIS STUFF IN THE STORES.

317
00:19:24,230 --> 00:19:29,167
IS THAT RIGHT? HEY,
LISTEN. I GOT THIS PROBLEM.

318
00:19:32,071 --> 00:19:34,116
I'VE BEEN BUYING
THESE ODOR-EATERS.

319
00:19:34,140 --> 00:19:36,385
THEY'RE SUPPOSED TO LAST
ABOUT THREE MONTHS. MM-HMM.

320
00:19:36,409 --> 00:19:38,843
THESE SUCKERS TURN
ON ME IN ABOUT 15 DAYS.

321
00:19:40,814 --> 00:19:43,147
CAN I BORROW SOME OF THIS?

322
00:19:43,215 --> 00:19:46,250
TO PUT ON YOUR FEET?

323
00:19:47,420 --> 00:19:50,254
WELL, IF YOU DON'T
MIND. SURE, GO AHEAD.

324
00:19:50,323 --> 00:19:52,990
USE WHATEVER YOU NEED.
IT'S OKAY WITH YOU, DOUGIE?

325
00:19:53,059 --> 00:19:55,560
WHA... OH... YEAH. YEAH. SURE.

326
00:19:55,628 --> 00:19:58,896
OH, THANKS. APPRECIATE THAT.

327
00:20:03,036 --> 00:20:05,081
DO YOU REALLY THINK
THIS STUFF WILL WORK?

328
00:20:05,105 --> 00:20:07,472
OH, SURE. UH...

329
00:20:07,540 --> 00:20:10,641
ACTUALLY, THIS IS WHERE THE
CONCEPT OF HAPPY FEET ORIGINATED.

330
00:20:19,018 --> 00:20:21,485
THAT WAS $600 WORTH OF COKE!

331
00:20:21,554 --> 00:20:23,487
TOUGH LUCK.

332
00:20:23,556 --> 00:20:26,557
HEY-HEY... WHAT DO YOU
THINK HE'LL DO WITH IT?

333
00:20:26,625 --> 00:20:30,795
CARLSON'S NO FOOL, MAN.
HE'S GONNA PUT IT ON HIS FEET.

334
00:20:34,901 --> 00:20:37,434
♪♪

335
00:20:41,708 --> 00:20:44,275
OH, HI, TRAVIS. HOW'S IT GOIN'?

336
00:20:44,344 --> 00:20:47,011
MR. CARLSON, I THINK WE'RE
GONNA HAVE TO FIRE DOUG WINNER.

337
00:20:47,080 --> 00:20:47,816
HOW COME?

338
00:20:47,840 --> 00:20:50,881
WELL, SIR... LOOK,
YOU KNOW, THAT I, UH...

339
00:20:50,950 --> 00:20:54,185
I LET THE JOCKS PROGRAM
SOME OF THEIR OWN STUFF. YEAH.

340
00:20:54,254 --> 00:20:56,236
WELL, TWO DAYS AGO, I
TOLD DOUG THAT HE SEEMED

341
00:20:56,260 --> 00:20:58,222
TO BE GIVING A COUPLE
OF SONGS TOO MUCH PLAY.

342
00:20:58,291 --> 00:21:01,392
HE SAID, FINE. BUT
HE DIDN'T STOP.

343
00:21:01,461 --> 00:21:04,662
YOU DON'T THINK THAT KID'S ON
THE TAKE, DO YOU? I'M PRETTY SURE.

344
00:21:04,731 --> 00:21:07,998
I MADE A COUPLE OF CALLS,
AND IT CHECKS OUT. OH.

345
00:21:09,068 --> 00:21:11,268
WELL, WANTED TO SEE ME, ANDY?

346
00:21:11,337 --> 00:21:13,971
YEAH, DOUG. YEAH. YEAH, I DO.

347
00:21:16,042 --> 00:21:19,210
I WANT YOU TO ANSWER A QUESTION FOR
MR. CARLSON AND ME, WOULD YOU, PLEASE?

348
00:21:19,279 --> 00:21:21,345
- SURE.
- YOU TAKIN' PAYOLA?

349
00:21:21,414 --> 00:21:24,481
OH, MAN. I KNEW IT.

350
00:21:24,550 --> 00:21:27,085
- YOU KNEW WHAT?
- THAT JOHNNY WOULD GO TO YOU.

351
00:21:27,153 --> 00:21:30,354
SEE, IF YOU ASK
ME. THE COKE IS HIS.

352
00:21:30,423 --> 00:21:33,925
- I MEAN, I NEVER EVEN SAW
THE STUFF BEFORE, ANDY.
- COKE?

353
00:21:33,993 --> 00:21:36,754
THAT'S RIGHT. AND I THINK JOHNNY
GETS IT FROM SOME RECORD DISTRIBUTOR.

354
00:21:36,796 --> 00:21:40,564
- I DON'T KNOW WHICH ONE.
- OH, HE DOES, DOES HE?

355
00:21:40,633 --> 00:21:44,102
THAT'S RIGHT. I DIDN'T
WANT TO SAY ANYTHING.

356
00:21:44,170 --> 00:21:46,870
WHAT'S THIS ALL ABOUT
ANYWAY? YOU'RE A LIAR.

357
00:21:46,939 --> 00:21:49,017
OH, COME ON NOW.
EASE OFF, TRAVIS.

358
00:21:49,041 --> 00:21:51,575
I HAVE A LITTLE COKE
EVERY NOW AND THEN.

359
00:21:57,884 --> 00:22:01,853
LOOK, JOHNNY NEVER TOLD ME
ANYTHING ABOUT COCAINE. COCAINE?

360
00:22:01,921 --> 00:22:04,188
BUT I THINK I CAN PUT
ONE AND ONE TOGETHER.

361
00:22:04,256 --> 00:22:06,190
- MR. CARLSON, I'M INNOCENT.
- OF WHAT?

362
00:22:06,259 --> 00:22:09,227
LOOK, IS MURRAY BEHIND THIS?

363
00:22:09,295 --> 00:22:12,730
ALL RIGHT, LOOK. I-I-I ACCEPTED A
COUPLE OF SMALL GIFTS FROM HIM.

364
00:22:12,798 --> 00:22:15,633
BUT, ANDY, EVERYBODY
DOES IT. NO, THEY DON'T!

365
00:22:15,702 --> 00:22:19,103
NO ONE AROUND HERE
DOES. WELL, I SURE DON'T.

366
00:22:19,171 --> 00:22:22,940
I WAS OFFERED ONE OF THOSE FOLDING TRAVEL
ALARM CLOCKS ONCE. I TURNED THAT DOWN.

367
00:22:24,344 --> 00:22:26,888
LOOK, PAL. I WANT YOU OUT
OF HERE. NOT IN FIVE MINUTES.

368
00:22:26,912 --> 00:22:29,380
I WANT YOU OUT
OF HERE RIGHT NOW.

369
00:22:30,917 --> 00:22:34,285
MR. CARLSON. I THINK
YOU'D BETTER GO, SON.

370
00:22:36,222 --> 00:22:39,289
OKAY. SURE.

371
00:22:39,358 --> 00:22:41,425
SURE.

372
00:22:41,493 --> 00:22:45,429
HEY, YOU KNOW SOMETHING? YOU GUYS ARE
NOTHING BUT A BUNCH OF SMALL-TIMERS ANYWAY.

373
00:22:48,101 --> 00:22:50,267
WHERE'S THE COKE? I DON'T KNOW.

374
00:22:50,336 --> 00:22:52,696
I GUESS CARLSON
PUTS IT ON HIS FEET.

375
00:23:00,980 --> 00:23:05,115
GOOD HEAVENS! I'VE LOST ALL THE
FEELING IN MY LEFT LEG! NO, NO...

376
00:23:05,184 --> 00:23:08,218
YOU'RE GONNA BE ALL RIGHT. FOR
THE LOVE OF PETE, ANDY, I'M HOOKED!

377
00:23:08,287 --> 00:23:10,607
NO YOU'RE NOT!

378
00:23:11,991 --> 00:23:14,258
I GOT A MONKEY ON MY FOOT.

379
00:23:15,861 --> 00:23:19,297
♪ RED WIGGLERS THE
CADILLAC OF WORMS ♪

380
00:23:19,365 --> 00:23:21,365
♪ WE'RE THE CADILLAC OF WORMS ♪

381
00:23:21,434 --> 00:23:23,867
♪ WE'RE THE CADILLAC OF WORMS ♪

382
00:23:23,937 --> 00:23:26,337
♪ WE'RE THE CADILLAC OF WORMS ♪♪

383
00:23:26,406 --> 00:23:30,240
ALL RIGHT, CINCINNATI, SHAPE UP, 'CAUSE
IT'S TIME FOR YOUR MORNING CHECKUP.

384
00:23:30,309 --> 00:23:32,309
THE DOCTOR IS ON DUTY.

385
00:23:32,378 --> 00:23:35,279
I HAVE JUST RETURNED FROM
PERSONALLY SUPERVISING...

386
00:23:35,347 --> 00:23:37,381
AN EXTENSIVE RESEARCH PROJECT...

387
00:23:37,450 --> 00:23:40,418
INVOLVING WEST COAST
VEGETABLE-WORSHIP CULTS.

388
00:23:40,486 --> 00:23:42,720
AND THE CURE IS HERE, BABIES. <i>♪♪</i>

389
00:23:42,789 --> 00:23:45,722
THAT'S RIGHT.
DR. JOHNNY FEVER IS HERE.

390
00:23:45,791 --> 00:23:51,095
I'M ON CALL RIGHT HERE EVERY
MORNING ON WKRP IN CINCINNATI!

391
00:24:08,581 --> 00:24:12,016
<i>♪♪</i>

392
00:24:13,887 --> 00:24:18,122
<i>♪♪</i>

393
00:24:26,398 --> 00:24:29,065
<i>♪♪</i>

394
00:24:43,482 --> 00:24:45,415
<i>♪♪</i>